Buy the MP3 album for £7.99 at the Amazon Digital Music Store. This item:Looking Forward by Crosby Stills Nash & Young Audio CD £14.98. To the unfocused latter (not to mention CSN's unremarkable recent output) than the vital Deja Vu.
Disc: 1.Disc: 2.Disc: 3.Disc: 4.CSN is a box set released in 1991 by Crosby, Stills and Nash. It features material from their albums as a group in addition to selections from their various solo and duet albums. It also features many outtakes, including from sessions that did not result in an album by the group. Highlights include a cover of The Beatles' 'Blackbird' and the full length take of 'Almost Cut My Hair.' With the exception of 'Helpless' and 'Ohio,' the set excludes any material written by occasional bandmate Neil Young.
From The CSN StoreCrosby, Stills, & Nash join forces for their first live performance video in over 2 decades! Filmed during their 2012 tour, CSN 2012 includes many of the trio's classic hits, some new and unreleased songs, and a rare performance of 'Suite: Judy Blue Eyes.' The disc also includes 'A Conversation with David, Stephen and Graham,' plus interviews with their band and crew. A must-have for any CSN fan.
An album cover for the ages - folk-rock perfection! Crosby Stills and Nash's 1977 long playing album 'CSN' is a masterpiece of harmonies that resonate to the core.
One of the most hotly awaited second albums in history - right up there with those by and - lived up to its expectations and rose to number one on the charts. Those achievements are all the more astonishing given the fact that the group barely held together through the estimated 800 hours it took to record and scarcely functioned as a group for most of that time. Worked as an album, a product of four potent musical talents who were all ascending to the top of their game coupled with some very skilled production, engineering, and editing. There were also some obvious virtues in evidence - the addition of to the lineup added to the level of virtuosity, with and rising to new levels of complexity and volume on their guitars. 's presence also ratcheted up the range of available voices one notch and added a uniquely idiosyncratic songwriter to the fold, though most of 's contributions in this area were confined to the second side of the LP.
Most of the music, apart from the quartet's version of 's 'Woodstock,' was done as individual sessions by each of the members when they turned up (which was seldom together), contributing whatever was needed that could be agreed upon. 'Carry On' worked as the album's opener when 'sacrificed' another copyright, 'Questions,' which comprised the second half of the track and made it more substantial. 'Woodstock' and 'Carry On' represented the group as a whole, while the rest of the record was a showcase for the individual members. 's 'Almost Cut My Hair' was a piece of high-energy hippie-era paranoia not too far removed in subject from ' 'Drug Store Truck Drivin' Man,' only angrier in mood and texture (especially amid the pumping organ and slashing guitars); the title track, also by, took 100 hours to work out and was a better-received successor to such experimental works as 'Mind Gardens,' out of his earlier career with, showing his occasional abandonment of a rock beat, or any fixed rhythm at all, in favor of washing over the listener with tones and moods. 'Teach Your Children,' the major hit off the album, was a reflection of the hippie-era idealism that still filled 's life, while 'Our House' was his stylistic paean to the late-era and '4+20' was a gorgeous blues excursion that was a precursor to the material he would explore on the solo album that followed.
And then there were 's pieces, the exquisitely harmonized 'Helpless' (which took many hours to get to the slow version finally used) and the roaring country-ish rockers that ended side two, which underwent a lot of tinkering by - even his seeming throwaway finale, 'Everybody I Love You,' was a bone thrown to longtime fans as perhaps the greatest song that they didn't record. All of this variety made a rich musical banquet for the most serious and personal listeners, while mass audiences reveled in the glorious harmonies and the thundering electric guitars, which were presented in even more dramatic and expansive fashion on the tour that followed.
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